Landmarked And Lonely
Kaufman Astoria Studio On The Brink
By Azi Paybarah and Harvey Paretzy
In
1980, the only place with a bleaker future than the Overlook Hotel in
Jack Nicholson’s “The Shining”, was the Astoria Studio on 35th
Avenue.
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A new era in the Astoria Studio’s
history began with this groundbreaking ceremony in 1982.
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The
studio barely recovered from the beating and neglect it suffered in the
70s. Its windows had been knocked out and walls spray-painted as
Hollywood churned out movies like 1980’s “The Elephant Man”, which
questioned our treatment of the disfigured.
Washington
acquired the lease on Astoria Studio when the U.S. Army stopped making
World War II newsreels and educational films there in 1970. Like boxer
Jake LaMotta in 1980’s Academy Awarding winning film “Raging Bull”,
the Astoria building was past its prime, but unwilling to stay down for
the count.
Previous
attempts to revitalize the building had fallen short. A plan eight years
earlier to house LaGuardia Community College in the studio ended when
the city choked on the $4.5 million price tag. The last major round of
features produced there were newsreels and educational films for G.I.’s
about venereal disease.
In
1970, the year both “Patton” and “Catch-22” were
released in theaters, the studio was declared a “surplus property”
by the Army, and handed over to the federal government. After that,
military minded moviegoers in Queens had to pacify themselves with
Goldie Hawn as “Private Benjamin”
As
Indiana Jones unearthed the Lost Ark for 1982 moviegoers, discussions
were underway to bring the bright lights and celebrities back to
Astoria. That year, the federal government handed over to the City the
lease on the historic building. Then — with the help of comedian Alan
King, Johnny Carson and even Gloria Swanson — the Kaufman Astoria
Studio officially opened.
George
S. Kaufman is the real estate developer who redeveloped the studio where
celebrities like Rudolph Valentino, the Marx Brothers and others made
their films. A “star spangled celebration” was held at Bloomingdale’s
in Fresh Meadows. The $100 a ticket benefit included a 36-piece marching
band and featured Swanson.
The
$50 million makeover of the Kaufman Astoria Studio — the largest film
studio east of Hollywood — came in 1982, the year of the cosmetically
challenged leading men: a cross-dressing Dustin Hoffman starred in
Tootsie; a long-necked flat-headed alien starred in “E.T.”, and “Diner’s”
leading man was Mickey Rourke.
Although
film production between 1977 and 1984 brought sporadic successes for the
studio – like 1979’s Warriors, and 1977’s “The Wiz”, a
Wizard of Oz remake staring Diana Ross and Michael Jackson, 1985 really
paid dividends for Kaufman’s renovation.
“The
Money Pit” was filmed there, bringing upcoming actor Tom Hanks to
Astoria. Richard Gere and Paul Newman both made their second trips to
35th Avenue. Gere brought with him Gene Hackman and Denzel Washington to
film “Power.” Dustin Hoffman played the lead in “Death of A
Salesman,” and the big screen adaptation of the Broadway hit
“Brighton Beach Memiors” also happened in Kaufman’s new
studio.
Today,
the 14-acre studio is home to “Sesame Street,” WFAN, the nation’s
only all sports radio station, and the recently completed “Angels in
America”, starring Al Pacino.
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